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	<title>Comments on: &#8220;Aspects of Robinson&#8221;</title>
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	<link>http://www.cosmopoetica.com/cpb/library/2005/07/28/aspects-of-robinson/</link>
	<description>Quotes, snippets, things that caught my eye...</description>
	<pubDate>Wed, 03 Dec 2008 21:16:07 +0000</pubDate>
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		<title>By: Martin Marcus</title>
		<link>http://www.cosmopoetica.com/cpb/library/2005/07/28/aspects-of-robinson/#comment-19977</link>
		<dc:creator>Martin Marcus</dc:creator>
		<pubDate>Wed, 12 Dec 2007 17:02:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.cosmopoetica.com/cpb/library/2005/07/28/aspects-of-robinson/#comment-19977</guid>
		<description>I have always loved and admired this poem.  Loved because of it's beautiful suggestiveness, of time place and mood. 
Admired because in a few stanzas  Kees has packed a novel's worth of character development.  I actually modeled my own poem after it.

	Aspects of Kaminsky

	    (with apologies to Weldon Kees)


Kaminsky checking out a book at the library,
The unspoiled skin of the child employee,
Tight slim shape he can make out behind the counter.
Her eyes blind to him as she takes his 
Library card.

Kaminsky at Walgreens, the matrons come and go,
Some carelessly dressed, still frowzy from home
Yet sexy, their merciless asses swinging.
He cringes that someone (his wife? The police?)
Might catch him in the act of his thoughts.


Kaminsky under the endoscope or the colonoscope or the MRI
His places secret even to him on close terms with adolescent medicos.
Out of hearing, “Gotta hand it to the old guy. Still looks pretty good.”
Looks pretty good to who? thinks Kaminsky.  
He begins to own the body he’s seen on aging charts, stage five.  

Kaminsky looking through his windshield
At the shocking night sky.  Shocking, like him
It seems to have changed. The old true stars blur uncertainly
Like the traffic lights, like the dashboard numbers,
He feels…can it be felt?…blurred.

 Kaminsky at the keyboard--his tractor,
 His violin, his coal mine, his dream machine, his jail. 
A life of typing, of ribbons and white-out,
Evanescent praise and dismal rejections tapped out
Through his stiffening fingers. 

Kaminsky in bed, his wife a silent heap at his side, thanks God
On his bedroom ceiling.  He has been lucky, so lucky, so far.
His watch ticks the seconds loudly in the dark.  He’s lived so many.
But Kaminsky wants more.  Kaminsky wants too much.  Kaminsky wants to be 
Young.</description>
		<content:encoded><![CDATA[<p>I have always loved and admired this poem.  Loved because of it&#8217;s beautiful suggestiveness, of time place and mood.<br />
Admired because in a few stanzas  Kees has packed a novel&#8217;s worth of character development.  I actually modeled my own poem after it.</p>
<p>	Aspects of Kaminsky</p>
<p>	    (with apologies to Weldon Kees)</p>
<p>Kaminsky checking out a book at the library,<br />
The unspoiled skin of the child employee,<br />
Tight slim shape he can make out behind the counter.<br />
Her eyes blind to him as she takes his<br />
Library card.</p>
<p>Kaminsky at Walgreens, the matrons come and go,<br />
Some carelessly dressed, still frowzy from home<br />
Yet sexy, their merciless asses swinging.<br />
He cringes that someone (his wife? The police?)<br />
Might catch him in the act of his thoughts.</p>
<p>Kaminsky under the endoscope or the colonoscope or the MRI<br />
His places secret even to him on close terms with adolescent medicos.<br />
Out of hearing, “Gotta hand it to the old guy. Still looks pretty good.”<br />
Looks pretty good to who? thinks Kaminsky.<br />
He begins to own the body he’s seen on aging charts, stage five.  </p>
<p>Kaminsky looking through his windshield<br />
At the shocking night sky.  Shocking, like him<br />
It seems to have changed. The old true stars blur uncertainly<br />
Like the traffic lights, like the dashboard numbers,<br />
He feels…can it be felt?…blurred.</p>
<p> Kaminsky at the keyboard&#8211;his tractor,<br />
 His violin, his coal mine, his dream machine, his jail.<br />
A life of typing, of ribbons and white-out,<br />
Evanescent praise and dismal rejections tapped out<br />
Through his stiffening fingers. </p>
<p>Kaminsky in bed, his wife a silent heap at his side, thanks God<br />
On his bedroom ceiling.  He has been lucky, so lucky, so far.<br />
His watch ticks the seconds loudly in the dark.  He’s lived so many.<br />
But Kaminsky wants more.  Kaminsky wants too much.  Kaminsky wants to be<br />
Young.</p>
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	<item>
		<title>By: In a Dark Time &#8230; The Eye Begins to See &#187; Kees&#8217; &#8220;The Musician&#8217;s Wife&#8221;</title>
		<link>http://www.cosmopoetica.com/cpb/library/2005/07/28/aspects-of-robinson/#comment-17996</link>
		<dc:creator>In a Dark Time &#8230; The Eye Begins to See &#187; Kees&#8217; &#8220;The Musician&#8217;s Wife&#8221;</dc:creator>
		<pubDate>Fri, 20 Apr 2007 04:01:05 +0000</pubDate>
		<guid isPermaLink="false">http://www.cosmopoetica.com/cpb/library/2005/07/28/aspects-of-robinson/#comment-17996</guid>
		<description>[...] the most famous of Keesâ€™ poems, the â€œRobinson poems,â€ and, in particular Aspects-of-Robinson/ first reminded me of Eliotâ€™s â€œJ. Alfred Prufrock,â€ the more I read them the more they [...]</description>
		<content:encoded><![CDATA[<p>[...] the most famous of Keesâ€™ poems, the â€œRobinson poems,â€ and, in particular Aspects-of-Robinson/ first reminded me of Eliotâ€™s â€œJ. Alfred Prufrock,â€ the more I read them the more they [...]</p>
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